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English and CS First Year and Second Year Courses
== CSCE (and related disciplines) ==
== CSCE (and related disciplines) ==
=== CSCE 1030 ===
=== First Year CSCE Courses ===
==== CSCE 1030 ====
see pless pless. Taught by Dr. Pradhumna Shrestha during the fall semester of the 2020-2021 school year.
see pless pless. Taught by Dr. Pradhumna Shrestha during the fall semester of the 2020-2021 school year.
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75513
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75513
=== CSCE 1040 ===
==== CSCE 1040 ====
[[File:2d14c86570394dbc847e71d68aee8aca.png|alt=Image of Dr. David Keathly |thumb|Mermaid Man (left) and Dr. David Keathly (right)]]
[[File:2d14c86570394dbc847e71d68aee8aca.png|alt=Image of Dr. David Keathly |thumb|Mermaid Man (left) and Dr. David Keathly (right)]]
obgekt oreeentid prougramyng. Taught by Dr. David Mark Keathly, who does not know how to wear a mask. Notorious for long, tedious projects.
obgekt oreeentid prougramyng. Taught by Dr. David Mark Keathly, who does not know how to wear a mask. Notorious for long, tedious projects.
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75515
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75515
=== CSCE 2100 ===
=== Second Year CSCE Courses ===
==== CSCE 2100 ====
theoretical
theoretical
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75518
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75518
=== CSCE 2110 ===
==== CSCE 2110 ====
bad class
bad class
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75519
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75519
=== INFO 3010 ===
=== CSCE Related Courses ===
==== INFO 3010 ====
Intro to Data Science is taught in R and is project based meaning that there are no tests.
Intro to Data Science is taught in R and is project based meaning that there are no tests.
The course covers the entirety of data science including how to gather, parse, analyze, graph, and interpret data.
The course covers the entirety of data science including how to gather, parse, analyze, graph, and interpret data.
== ENGL ==
== ENGL ==
=== ENGL 1315 ===
=== First Year English Courses ===
==== ENGL 1315 ====
ENGL 1315 is taken first semester. Current instructors include Dr. Anne Schoolfield, Professor Joshua Ibarra, and Dr. Mariah Steele. Previous instructors include Professor Jack Christian. The class covers poetry and plays.
ENGL 1315 is taken first semester. Current instructors include Dr. Anne Schoolfield, Professor Joshua Ibarra, and Dr. Mariah Steele. Previous instructors include Professor Jack Christian. The class covers poetry and plays.
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75850
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75850
=== ENGL 1325 ===
==== ENGL 1325 ====
ENGL 1315 2: Electric Boogaloo is taught by the same professors as ENGL 1315. However, unlike with math classes, you are able to switch professors. The class covers science fiction and prose.
ENGL 1315 2: Electric Boogaloo is taught by the same professors as ENGL 1315. However, unlike with math classes, you are able to switch professors. The class covers science fiction and prose.
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75854
http://catalog.unt.edu/preview_course_nopop.php?catoid=20&coid=75854
=== Second Year English Courses ===
=== ENGL 4680 ===
==== ENGL 4680 ====
The course is taught by Dr. Marshall Needleman Armintor. The purpose of this course is to examine the concept of narrative in video games—from all eras and genres—to show how the familiar questions of structure, cultural critique, and (especially) intertextuality commonly applied to literature and film can be extended to games and the gaming ethos.
The course is taught by Dr. Marshall Needleman Armintor. The purpose of this course is to examine the concept of narrative in video games—from all eras and genres—to show how the familiar questions of structure, cultural critique, and (especially) intertextuality commonly applied to literature and film can be extended to games and the gaming ethos.